Deaths on January 6

Ernest Laszlo, Hungarian-American cinematographer (b. 1898)

Ernest Laszlo, A.S.C. (born Ernő László; April 23, 1898 – January 6, 1984), was a highly influential Hungarian-American cinematographer whose prolific career spanned over six decades and encompassed more than 60 feature films, profoundly shaping the visual landscape of classic Hollywood cinema. Widely recognized for his exceptional versatility and mastery of visual storytelling, Laszlo's work left an indelible mark on cinematic history.

The Art and Craft of a Master Cinematographer

As a cinematographer, also known as a Director of Photography (DP), Ernest Laszlo was responsible for the artistic and technical decisions related to the image of a film. This encompassed controlling lighting, camera movement, composition, and lens choices to create the desired mood and visual style that supports the narrative. His expertise allowed him to transition seamlessly between various genres, from gritty film noirs to sweeping historical epics and intimate dramas, always delivering visually compelling results.

Distinguished Collaborations in Hollywood

A cornerstone of his distinguished career was his repeated and highly productive collaborations with two iconic directors: Robert Aldrich and Stanley Kramer. These partnerships were instrumental in defining the visual aesthetics of many celebrated films of their era.

Partnership with Robert Aldrich

With director Robert Aldrich, Laszlo contributed to some of the most memorable and stylistically distinct films of the 1950s and 60s. Their collaboration often resulted in visually stark and powerful narratives, particularly in the realm of film noir and thrillers. Notable works include the cult classic neo-noir Kiss Me Deadly (1955), known for its brutal realism and stark chiaroscuro lighting, and the gritty, atmospheric drama The Emperor of the North Pole (1973).

Collaboration with Stanley Kramer

His frequent work with director Stanley Kramer, known for his socially conscious films, led to some of Laszlo's most critically acclaimed achievements. Laszlo’s cinematography enhanced Kramer's powerful narratives, often employing dramatic lighting and composition to emphasize the moral and ethical dilemmas at the heart of the stories. Their successful partnership yielded cinematic treasures such as the courtroom drama Inherit the Wind (1960), the powerful post-World War II legal drama Judgment at Nuremberg (1961), and the ensemble drama Ship of Fools (1965), for which Laszlo received significant recognition.

Industry Leadership and Recognition

Beyond his extensive filmography, Ernest Laszlo was a prominent and respected figure within the film industry's professional organizations.

American Society of Cinematographers (A.S.C.)

Laszlo was an esteemed member of the American Society of Cinematographers (A.S.C.), an honorary professional society established in 1919 to advance the art and science of cinematography. His commitment to the craft was further evidenced by his leadership role as the A.S.C. President from 1972 to 1974, a period during which he contributed significantly to upholding the standards and promoting the interests of cinematographers within the evolving film industry.

International Alliance of Theatrical Stage Employees (I.A.T.S.E.)

He was also an active member of the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada (I.A.T.S.E.). This powerful union represents stagehands, motion picture technicians, and various craftspeople in the entertainment industry. Laszlo's active involvement underscored his dedication not only to the artistic aspects of filmmaking but also to the professional welfare and working conditions of his colleagues in the technical crafts.

Awards and Legacy

Ernest Laszlo's exceptional talent was recognized with numerous accolades throughout his career, including multiple Academy Award nominations. He received an Academy Award for Best Cinematography for his masterful work on Stanley Kramer’s 1965 film Ship of Fools. His other notable nominations include Inherit the Wind (1960), Judgment at Nuremberg (1961), the visually innovative science fiction film Fantastic Voyage (1966), and the critically acclaimed drama Five Easy Pieces (1970). His legacy endures through his vast body of work, which continues to inspire aspiring cinematographers and remains a testament to his profound influence on the visual storytelling of Hollywood cinema.

Frequently Asked Questions About Ernest Laszlo

What was Ernest Laszlo known for in Hollywood?

Ernest Laszlo was renowned for his prolific career as a Hungarian-American cinematographer, having shot over 60 films. He was particularly celebrated for his versatility across genres and his frequent, impactful collaborations with directors Robert Aldrich and Stanley Kramer.

Which major awards did Ernest Laszlo receive?

Ernest Laszlo won an Academy Award for Best Cinematography for the 1965 film Ship of Fools. He also received multiple other Oscar nominations for his work on films such as Inherit the Wind, Judgment at Nuremberg, Fantastic Voyage, and Five Easy Pieces.

What is the significance of Ernest Laszlo's role in the A.S.C.?

As a distinguished member of the American Society of Cinematographers (A.S.C.), Ernest Laszlo served as its President from 1972 to 1974. This leadership position highlights his respected standing within the industry and his commitment to advancing the craft of cinematography.

Which films best showcase Ernest Laszlo's cinematography?

Some of his most celebrated works include Kiss Me Deadly (with Robert Aldrich), Inherit the Wind, Judgment at Nuremberg, and Ship of Fools (all with Stanley Kramer), as well as the visually imaginative Fantastic Voyage and the iconic Logan's Run, demonstrating his wide range and skill.