Births on January 3

Victor Borge, Danish-American pianist and conductor (d. 2000)

Victor Borge, born Børge Rosenbaum (3 January 1909 – 23 December 2000), was a legendary Danish-American comedian, conductor, and pianist whose unique blend of sophisticated musicality and brilliant comedic timing captivated audiences across the globe. He rose to immense popularity on radio and television throughout the United States and Europe, pioneering a distinctive form of entertainment that seamlessly married the high art of classical music with accessible, clever humor.

Early Life and Formative Years

Born Børge Rosenbaum in Copenhagen, Denmark, Victor Borge's prodigious musical talent was evident from a very young age. He began his formal piano studies at just two years old, performing his first major concert at the age of eight, and eventually studying with renowned classical pianists such as Frédéric Lamond and Egon Petri. His early career in Denmark saw him establish himself as a serious concert pianist, but even then, he began to incorporate humorous elements into his performances, a precursor to the style that would later define him.

The course of Borge's life, and consequently his career, took a dramatic turn during World War II. While on tour in Sweden in 1940, Denmark was invaded by Nazi Germany. Borge, who was Jewish, made the crucial decision not to return home. Aided by family and friends, he secured passage to America, arriving in New York City with very little money but immense talent and an urgent need to learn English. This challenging period marked the beginning of his transformation into the American entertainer Victor Borge.

A Unique Blend: Music and Masterful Comedy

Victor Borge's genius lay in his unparalleled ability to intertwine classical music with original, often improvisational, comedy. He did not simply play music and tell jokes; rather, his humor often emerged directly from or commented on the musical pieces themselves, creating a cohesive and highly engaging performance style.

Signature Comedic Elements

• Phonetic Punctuation: One of Borge's most famous and beloved routines involved reciting a story while adding sound effects to represent punctuation marks. For example, a period would be a short, sharp bang, a comma a gentle 'shh', and an exclamation point a joyous 'whoop!'. This ingenious concept brought grammar to life in a hilarious and memorable way, making it a staple of his live and televised performances.
• Inflationary Language: In this clever linguistic bit, Borge would humorously inflate numbers within words. For instance, "once upon a time" might become "twice upon a three time," and "anyone for tennis" would transform into "everyone for ten-nis." This routine showcased his quick wit and playful manipulation of language, highlighting his command over both English and comedic timing.
• Classical Music Parodies and Visual Gags: Borge often played well-known classical pieces, only to interrupt himself with comedic asides, play wrong notes deliberately (and then feign indignation), or engage in absurd physical comedy at the piano. His interactions with sheet music, piano benches, and even the audience were expertly choreographed to elicit laughter while still demonstrating his formidable pianistic skills. He had an uncanny ability to make classical music approachable and fun for a mass audience who might otherwise find it intimidating.

Global Stardom: From Radio Waves to Broadway Stages

Upon his arrival in the United States, Borge quickly honed his English and adapted his act for an American audience. His breakthrough came in 1941 when he appeared on Bing Crosby's radio show. This exposure led to his own highly successful program, The Victor Borge Show, which aired on NBC radio from 1946 to 1948. His distinctive voice and comedic timing quickly made him a household name across the nation.

His popularity soared further with numerous appearances on early television variety shows, including The Ed Sullivan Show and as a regular panelist on What's My Line?, where his charm and quick wit translated perfectly to the visual medium. However, it was his one-man stage show, Comedy in Music, that cemented his legendary status. Premiering on Broadway in 1953, this production ran for an astounding 849 performances over three years, setting a new record for the longest-running one-man show in Broadway history at the time. He subsequently toured this show, and variations of it, extensively around the world for decades, performing for presidents, royalty, and countless adoring fans in prestigious venues.

"The Clown Prince of Denmark" and Other Affectionate Titles

Victor Borge's unique appeal earned him several memorable nicknames, each reflecting a different facet of his public persona. He was affectionately known as "The Clown Prince of Denmark," a nod to his Danish heritage and his royal command over comedic performance. "The Unmelancholy Dane" played on Shakespeare's Hamlet, contrasting the somber literary figure with Borge's perpetually cheerful and uplifting demeanor, which consistently brought joy to his audiences. Finally, "The Great Dane" not only referenced his nationality but also conveyed the immense respect and admiration for his significant talent and towering presence in the world of entertainment. These monikers underscored his ability to bridge cultures, make people laugh, and elevate the art of comedy.

Legacy and Enduring Influence

Victor Borge's career spanned over 70 years, a testament to his timeless appeal and dedication to his craft. He passed away just shy of his 92nd birthday, leaving behind an indelible legacy as one of the 20th century's most beloved and unique entertainers. His innovative fusion of classical music and humor opened doors for future generations of comedic musicians and helped popularize classical music to a broader audience, demonstrating its accessible and delightful side. He was not just a comedian or a musician; he was an artistic ambassador who brought joy and laughter to millions, proving that humor and high culture could coexist harmoniously and brilliantly.

Frequently Asked Questions About Victor Borge

What was Victor Borge's original name?

Victor Borge was born Børge Rosenbaum in Copenhagen, Denmark. He adopted his professional name upon moving to the United States.

How did Victor Borge combine music and comedy?

He uniquely blended classical piano and conducting with various comedic techniques, including "phonetic punctuation" (adding sound effects for punctuation marks), "inflationary language" (humorously inflating numbers in words), and clever parodies of classical music, often involving visual gags and audience interaction. His humor was intricately woven into the musical performance itself, making the music accessible and entertaining.

What made Victor Borge famous?

Borge gained widespread fame through his radio show, The Victor Borge Show (1946-1948), and frequent appearances on early television variety programs like The Ed Sullivan Show. His one-man Broadway show, Comedy in Music, which ran for a record-breaking 849 performances in the 1950s, solidified his international celebrity and cemented his unique comedic legacy.

Why was Victor Borge called "The Unmelancholy Dane"?

This nickname is a playful contrast to Shakespeare's famous melancholic character, Hamlet, who was also a Dane. It highlighted Borge's cheerful, uplifting, and consistently humorous persona, which was far from melancholic and always aimed to bring laughter to his audiences.