Gakuryō Nakamura, Japanese painter and designer (d. 1969)
Gakuryō Nakamura (中村岳陵, Nakamura Gakuryō), a revered Japanese Nihonga painter and designer who lived from 1890 to 1969, left an indelible mark on Japan's artistic landscape. He was particularly celebrated for his significant decorative commissions, which included prestigious work within the iconic Tokyo Imperial Palace.

An Esteemed Artist's Imperial Commissions

Among Gakuryō Nakamura's most prominent accomplishments was his involvement in decorating the Hōmei-den, the state banquet hall of the illustrious Tokyo Imperial Palace. This hall, a central venue for imperial ceremonies, was graced by Nakamura’s meticulous artistry. He was specifically tasked with designing the elaborate tapestry works that adorn its walls, creating a stunning piece titled “Toyohata-gumo,” beautifully translated as “A Pretty Bank of Clouds.”

Nakamura’s talent was further recognized with another significant commission for the palace: the Ume-no-Ma audience room. This spacious hall, encompassing a substantial area of 152 square meters (or 46 tsubo, a traditional Japanese measure), features one of his masterful creations at its core. His exquisite drawing, “Kouhaku-bai,” is positioned as the focal point on the Ume-no-Ma’s wall, showcasing his profound skill and contribution to imperial aesthetics.

Frequently Asked Questions About Gakuryō Nakamura

Who was Gakuryō Nakamura?

Gakuryō Nakamura (1890–1969) was a distinguished Japanese Nihonga painter and designer, known for his traditional Japanese-style artworks and significant decorative commissions, particularly within the Tokyo Imperial Palace.

What were his notable works at the Tokyo Imperial Palace?

He designed the “Toyohata-gumo” tapestry works for the Hōmei-den state banquet hall and created the central “Kouhaku-bai” drawing for the Ume-no-Ma audience room.

What type of art is Nihonga?

Nihonga refers to traditional Japanese painting, a style that typically employs classical Japanese techniques, materials, and subjects, often contrasting with Western-style oil painting.