Royal Cortissoz, American art critic (d. 1948)

Royal Cortissoz: A Pivotal Figure in American Art Criticism and National Commemoration

Royal Cortissoz (February 10, 1869 – October 17, 1948) was a distinguished American art historian and, for an impressive 57 years until his death, the influential art critic for the New York Herald Tribune. Born in New York City, Cortissoz largely cultivated his expertise in art criticism through self-study, developing a keen eye and a deeply entrenched artistic philosophy that would characterize his extensive career. His unique perspective and prolific writing made him a significant, albeit often controversial, voice in the dynamic cultural landscape of early to mid-20th century America.

A Stalwart Voice for Traditionalism at the New York Herald Tribune

From 1891, when he first joined, until his passing in 1948, Royal Cortissoz commanded a powerful platform at the New York Herald Tribune. During his remarkable tenure, a period marked by profound artistic shifts and innovations, Cortissoz emerged as a steadfast and unwavering advocate for traditionalism in art. His widely read columns and reviews held considerable sway, actively shaping public opinion and engaging vigorously with the artistic currents of his era. He consistently championed art that adhered to classical principles, representational forms, and established aesthetic standards, emphasizing technical mastery, beauty, and craftsmanship as the hallmarks of true artistic merit.

A Vocal Critic of Modernism: "A Victorian 'Dud'"

While celebrated for his eloquent defense of traditional art, Cortissoz is arguably equally renowned for his fervent opposition to modernism. He viewed the burgeoning and diverse movements of the early 20th century – encompassing everything from Impressionism to Cubism, Fauvism, and early abstract art – with profound skepticism. Cortissoz often perceived these new artistic expressions as a radical departure from, and indeed a decline in, genuine artistic achievement. His strong convictions were famously and succinctly captured in his dismissive assessment of modernism, when he once wrote, "It will someday prove a kind of Victorian 'dud', with a difference, obviously, but a 'dud' just the same." This memorable quote vividly underscores his belief that modern art, despite its contemporary allure, lacked enduring artistic value and would ultimately be seen as a transient, inconsequential trend in the grand narrative of art history.

Cortissoz's uncompromising critical stance frequently placed him at odds with the proponents of new artistic trends, yet it also solidified his reputation as a principled and unyielding voice in art criticism, dedicated to upholding what he considered the timeless values and aesthetics of art.

Beyond Art Criticism: Royal Cortissoz and the Lincoln Memorial Inscription

Beyond his prolific and influential career in art criticism, Royal Cortissoz left an indelible and widely recognized mark on American history through a monumental literary contribution: the profound inscription found within the Lincoln Memorial in Washington, D.C. This iconic national memorial, dedicated in 1922, was designed by architect Henry Bacon, with the monumental seated statue of Abraham Lincoln sculpted by Daniel Chester French. It stands as a solemn and majestic tribute to the 16th U.S. President, commemorating his leadership and legacy during one of the nation's most challenging periods.

Cortissoz was entrusted with the significant and honorable task of crafting the poignant words that greet countless visitors to this revered site. His carefully chosen inscription, "In this temple, as in the hearts of the people for whom he saved the Union, the memory of Abraham Lincoln is enshrined forever," is prominently engraved on the south interior wall of the memorial, within the grand chamber that houses the magnificent statue of Lincoln. These powerful and evocative words beautifully encapsulate the deep reverence and gratitude held for Lincoln's enduring legacy, emphasizing his perpetual presence in the national consciousness and powerfully connecting the physical monument to the collective memory and spirit of the American people.

Who was Royal Cortissoz?

Royal Cortissoz (1869–1948) was a prominent American art historian and a highly influential art critic for the New York Herald Tribune from 1891 until his death. He was known for his staunch defense of traditional art and his vocal opposition to modern art movements.

What was Royal Cortissoz's main contribution to the art world?

As the art critic for the New York Herald Tribune for 57 years, his primary contribution was shaping public opinion and critiquing art, consistently championing traditional aesthetics while famously decrying modernism in his widely read columns.

How did Royal Cortissoz view modern art?

Cortissoz was deeply skeptical and critical of modernism, viewing it as a departure from established artistic principles. He famously predicted that it would "someday prove a kind of Victorian 'dud'," suggesting it lacked lasting artistic merit.

What significant historical inscription did Royal Cortissoz write?

Royal Cortissoz penned the profound inscription found within the Lincoln Memorial in Washington, D.C. The inscription reads: "In this temple, as in the hearts of the people for whom he saved the Union, the memory of Abraham Lincoln is enshrined forever."

Where is Cortissoz's inscription located within the Lincoln Memorial?

The inscription authored by Royal Cortissoz is engraved on the south interior wall of the Lincoln Memorial, within the grand chamber that houses the monumental statue of Abraham Lincoln.