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  1. Home
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  3. February
  4. 6
  5. Marianne von Werefkin

Deaths on February 6

Marianne von Werefkin
1938Feb, 6

Marianne von Werefkin

Marianne von Werefkin, Russian-Swiss painter (b. 1860)

Marianne von Werefkin, born Marianna Wladimirowna Werewkina (Russian: Мариа́нна Влади́мировна Верёвкина, tr. Mariánna Vladímirovna Verëvkina, IPA: [mərʲɪˈanːə vlɐˈdjimʲɪrəvnə vʲɪˈrʲɵfkɪnə]; 10 September [O.S. 29 August] 1860 – 6 February 1938), was a pioneering Russian-German-Swiss Expressionist painter whose profound artistic vision and intellectual leadership significantly shaped the avant-garde art movements of the early 20th century. Her journey from an academically trained Russian artist to a leading figure in German Expressionism, and ultimately to a serene life in Switzerland, marks her as a pivotal figure in modern art history.

Early Life and Academic Foundations

Born into an aristocratic family in Tula, Russia, on September 10, 1860 (Gregorian calendar; August 29, 1860, Old Style), Marianne von Werefkin demonstrated prodigious artistic talent from a young age. Her early education included private tutelage from 1886 under the celebrated Russian Realist master, Ilya Repin. This rigorous training provided her with a strong technical foundation and a deep appreciation for classical art, which would later serve as a powerful counterpoint to her revolutionary Expressionist explorations.

The Munich Years and the Avant-Garde Salon

In 1896, Werefkin relocated to Munich, Germany, a burgeoning center for modernist art and intellectual exchange, alongside her artistic partner, Alexej von Jawlensky. Initially, she took a deliberate ten-year hiatus from her own painting, dedicating herself to supporting Jawlensky's artistic development. During this period, her elegant salon became an indispensable meeting place for leading European avant-garde artists and thinkers, including Wassily Kandinsky, Franz Marc, and August Macke. This vibrant intellectual environment fostered critical discussions and laid the groundwork for new artistic directions that would challenge the prevailing academic norms.

Pioneering Expressionism and the NKVM

Werefkin's return to painting in 1906 marked a transformative period in her career and a significant contribution to the nascent Expressionist movement. Her works from this era are distinguished by their intense, non-naturalistic color palettes, bold outlines, and deeply psychological narratives, often conveying raw emotion and spiritual depth. She championed an art form that prioritized inner experience over external reality.

In 1909, Marianne von Werefkin was instrumental in co-founding the Neue Künstlervereinigung München (NKVM), or New Artists' Association of Munich. This groundbreaking collective, which included artists like Kandinsky, Jawlensky, and Marc, became a crucial platform for the Expressionist avant-garde. The NKVM's exhibitions were vital in showcasing radical new art that rejected traditional aesthetics and paved the way for modernism. Although internal disagreements eventually led to the splintering of the group and the formation of the influential Der Blaue Reiter (The Blue Rider) almanac, Werefkin's foundational role in the NKVM was pivotal to the emergence and recognition of German Expressionism.

Later Life in Switzerland and Enduring Legacy

The outbreak of World War I in 1914 prompted Werefkin to move to Switzerland, where she eventually settled in Ascona on Lake Maggiore. She continued her artistic practice, with her later works often reflecting the serene landscapes and spiritual themes inspired by her new surroundings. Marianne von Werefkin remained an active figure in the local art community until her death in 1938.

Today, Werefkin is celebrated as a visionary artist and an essential figure in the history of modern art. Her innovative use of color, her profound psychological insights, and her influential role in the formation of avant-garde groups solidify her legacy as one of the most significant female artists of the early 20th century. Her works are housed in prestigious collections worldwide, including the Lenbachhaus in Munich and the Museo Comunale d'Arte Moderna in Ascona.

Frequently Asked Questions About Marianne von Werefkin

Who was Marianne von Werefkin?
Marianne von Werefkin was a highly influential Russian-German-Swiss Expressionist painter and a key figure in the European avant-garde of the early 20th century. She was known for her pioneering use of expressive color and her role in establishing significant modernist art groups.
What artistic movement is Marianne von Werefkin associated with?
She is primarily associated with Expressionism, particularly the German Expressionist movement. Her work moved beyond traditional realism to explore inner emotions and subjective experiences through bold color and form.
What was the Neue Künstlervereinigung München (NKVM)?
The NKVM, or New Artists' Association of Munich, was an avant-garde art collective co-founded by Marianne von Werefkin in 1909. It was a crucial platform for Expressionist artists like Wassily Kandinsky and Alexej von Jawlensky, aiming to promote new, radical forms of art that diverged from academic conventions.
Where can I see Marianne von Werefkin's art?
Her works are featured in prominent art museums globally, including the Städtische Galerie im Lenbachhaus in Munich, Germany, which holds a significant collection, and the Museo Comunale d'Arte Moderna in Ascona, Switzerland.

References

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Events on 1938

  • 18Feb

    Nanking Massacre

    Second Sino-Japanese War: During the Nanking Massacre the Nanking Safety Zone International Committee is renamed "Nanking International Rescue Committee" and the safety zone in place for refugees falls apart.
  • 12Mar

    Austria

    Anschluss: German troops occupy and absorb Austria.
  • 23Sep

    Munich Agreement

    Mobilization of the Czechoslovak army in response to the Munich Agreement.
  • 30Sep

    Munich Agreement

    Britain, France, Germany and Italy sign the Munich Agreement, allowing Germany to occupy the Sudetenland region of Czechoslovakia.
  • 30Oct

    The War of the Worlds (radio drama)

    Orson Welles broadcasts his radio play of H. G. Wells's The War of the Worlds, causing anxiety in some of the audience in the United States.

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