Simon Kovar, Russian-American bassoon player and educator (b. 1890)

Simon Kovar: A Twentieth-Century Bassoon Virtuoso and Master Pedagogue

Simon Kovar (May 15, 1890 – January 17, 1970) stands as a towering figure in the 20th century, celebrated not only as a distinguished bassoonist but, more significantly, as one of the instrument's most influential and revered teachers. His profound impact shaped generations of musicians across various genres, solidifying his legacy in the pantheon of classical music education.

Early Life and Unconventional Path to the Bassoon

Born Simon Kovarski in Vilnius, then part of the Russian Empire (now the capital of Lithuania), in 1890, Kovar’s initial musical journey began with the violin. Remarkably, it wasn't until the age of 20, an uncharacteristically late stage for a professional classical musician, that he embraced the bassoon. This transition underscores his innate talent and dedication, allowing him to achieve mastery of an entirely new instrument within a relatively short period.

Arrival in America and Orchestral Career

Kovar immigrated to the United States in June 1922, establishing his new home in the vibrant musical hub of New York City. Upon his arrival, he swiftly secured a prestigious position as second bassoonist with the renowned New York Philharmonic. This role in one of America's leading orchestral institutions provided him with a significant platform and further established his reputation as a skilled performer.

A Legendary Educator: Shaping the Future of Bassoon Performance

While his performing career was notable, Simon Kovar's most enduring legacy lies in his unparalleled contributions to bassoon pedagogy. He was universally regarded as an exceptional teacher, whose methods and insights proved transformative for countless students.

• He served as the esteemed head of the bassoon faculty at the prestigious Juilliard School of Music for an impressive 28 years. This long tenure at one of the world's foremost conservatories speaks volumes about his influence and the high regard in which he was held.
• Beyond Juilliard, Kovar's teaching extended to several other esteemed institutions, reflecting the widespread demand for his expertise. These included Teachers College at Columbia University, known for its focus on music education; the Music Academy of the West, a renowned summer festival and school; the highly selective Curtis Institute of Music, celebrated for training virtuoso performers; the Manhattan School of Music; and Mannes College of Music, both prominent conservatories in New York City. His influence even reached Canada, as he taught at the Conservatoire de musique du Québec à Montréal.

Diverse and Distinguished Students

Kovar's pedagogical reach transcended conventional boundaries, attracting a diverse array of students who would go on to achieve significant recognition in their respective fields. His pupils included some of the top orchestral bassoonists of their time, such as:

• Sol Schoenbach: The legendary principal bassoonist of the Philadelphia Orchestra for many decades, considered one of the most influential American bassoonists of the 20th century.
• Bernard Garfield: Another esteemed principal bassoonist of the Philadelphia Orchestra, who succeeded Schoenbach, continuing the tradition of excellence.

Intriguingly, Kovar's teaching extended beyond the classical realm, benefiting jazz musicians as well. Notably, acclaimed saxophonists such as Stan Getz, a pioneer of cool jazz, and Ray Pizzi, known for his versatile woodwind playing, sought Kovar's instruction. This highlights his ability to impart fundamental principles of breath control, embouchure, and musicality that are invaluable across various wind instruments and musical genres.

"24 Daily Studies for Bassoon": A Cornerstone of Bassoon Pedagogy

Among his significant contributions to the instrument's repertoire and pedagogical resources, Kovar's "24 Daily Studies for Bassoon," authored in the late 1950s, stands out. These exercises are universally regarded as first-rate practice material, forming a cornerstone of bassoon technique development worldwide. The studies systematically address crucial aspects of bassoon playing, including finger dexterity, articulation clarity, breath support, tone production, and musical phrasing, making them indispensable for students from intermediate to advanced levels seeking to refine their technical mastery.

Later Life and Enduring Legacy

In the 1950s, Simon Kovar relocated to Encino, California, where he continued to share his vast knowledge and passion for the bassoon, teaching almost up until his passing on January 17, 1970. His death was attributed to complications related to emphysema. He left behind a rich musical legacy, survived by his devoted wife, Rose Kovar, and their two daughters, Eleanor Imber, who herself became a professional bassoonist, thus continuing her father's musical lineage, and Leah Herzberg.

Frequently Asked Questions about Simon Kovar

Who was Simon Kovar?

Simon Kovar (1890-1970) was a prominent 20th-century bassoonist and one of the most highly regarded and influential teachers of the instrument, known for shaping generations of both classical and jazz musicians.

What instrument did Simon Kovar play and teach?

Simon Kovar was primarily a bassoonist and dedicated his extensive career to teaching the bassoon, although he initially studied the violin.

Where did Simon Kovar teach bassoon?

Kovar held significant teaching positions at prestigious institutions including the Juilliard School of Music (for 28 years), Teachers College at Columbia University, the Music Academy of the West, the Curtis Institute of Music, the Manhattan School of Music, Mannes College of Music, and the Conservatoire de musique du Québec à Montréal.

Who were some of Simon Kovar's notable students?

His diverse roster of students included highly acclaimed orchestral bassoonists like Sol Schoenbach and Bernard Garfield, as well as influential jazz saxophonists such as Stan Getz and Ray Pizzi.

What is "24 Daily Studies for Bassoon"?

Authored by Simon Kovar in the late 1950s, "24 Daily Studies for Bassoon" is a widely recognized and essential collection of technical exercises considered foundational for developing comprehensive bassoon playing skills.